The possible pool of victims for female stalkers suddenly increased to include not only male and female targets, but also a wider variety of motivations. Her obsession is fueled by the misguided belief that she’s on a quest for justice, which allows her to justify her criminal behavior. Mott changes her name to Peyton, applies for a job as nanny for Claire’s new baby and begins her plan for revenge. Mott commits suicide, his wife miscarries their child. In Cradle Claire Bartel accuses her doctor of sexual abuse, instigating a string of accusations by other victims.
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That same year also saw the release of The Hand That Rocks the Cradle, a female stalker movie with a different bent than Single White Female. Initially she wants Allie to be her friend, but ultimately she wants to be Allie, to look like her and have everything Allie has, including her lover. In the 1992 John Lutz novel Single White Female and the subsequent film, the stalking moved from woman targeting man to female targeting female, as Hendra Carlson, a manipulative liar who swings between rage and love, tries to take over the life of her roommate, Allie Jones, with murderous consequences. All these stalkers are so overcome by their all-encompassing need of their victims that they have lost all perspective and rationale. Despite being an attractive, successful lawyer, her all-consuming insecurity and sense of emptiness cause her to derail her own life and freedom as she spirals into psychosis. Female Alex is a mirror image of the male stalker who lives in an alternate reality, invents things about the relationship that don’t exist, can’t cope with rejection and whose obsession with her target takes over her life. Not to be outdone, however, the female stalker made one of her first blockbuster appearances in the 1987 film Fatal Attraction. Despite knowing what Joe is doing is terribly wrong, it’s impossible at times not to feel a fledgling affection for him, especially as his character develops and we see that he follows a certain moral code-even if it is an ethically skewed one. And occasionally he murders someone who threatens the relationship. He spies on her from his apartment window using a telescope, gleans information helpful to winning her over by eavesdropping on conversations between her and her friends, and once they become involved, hacks into her phone and computer to keep tabs on her.
When Beck walks into the bookstore where Joe works, he immediately becomes obsessed with her. He’s charming, good-looking, smart, funny-the perfect boyfriend-if you ignore the fact that he stalks his girlfriends.
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And then Joe, from Caroline Kepnes’ book and Netflix series You, came on the scene. In each of these films, the male stalker has a deep-seated need to possess and control the object of his obsession-a woman in the first two films, and an entire family in the last. Some well-known movies that have kept us on the edge of our seats are Fear, Sleeping with the Enemy, and One Hour Photo. But it’s an easy mistake to make, because stalking was once represented as a male only sport, and, in fact, studies show that in the past male stalkers outnumbered female stalkers by four to one.įilm and fiction are littered with them-men in search of intimacy with a targeted female with whom they have become obsessed.
So what do you visualize when you hear the title The Wife Stalker? Do you assume the stalker is a man stalking wives? If that is your assumption, you would be wrong. The picture that comes to one’s mind is typically a trench-coated man wearing dark sunglasses and surreptitiously waiting to strike. The word conjures a threatening image of a shadowy figure lurking…watching…waiting.
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